Black Money is the thirteenth book in Ross Macdonald’s Lew Archer series. It opens with Archer discussing the terms of a new case over lunch at a tennis club in the fictional coastal town of Montevista, CA, an hour or so south of Los Angeles. The client, Peter Jamieson, is twenty-four years old, rich, depressed, and increasingly fat as he eats away the sorrows of a broken engagement.

Hallas’ novel opens with Richard Dempsey returning from a long day’s work at the diner to an empty house. Before he enters, he knows from the darkened windows that his wife has left him. Inside, he learns she’s taken their son and the family savings. She says he’ll never find her, but he knows she’s always dreamed of going to Hollywood.

Woolrich is a master of suspense and a brilliant writer. I was hoping to like this one more, but unfortunately, I could never fully buy into the story.

The book begins with Detective Tom Shawn walking home from work at one A.M. along the river, where he finds a young woman, Jean Reid, about to kill herself. He stops her from jumping and asks her why she wants to end her life when she’s young, wealthy, and beautiful. Her explanation forms an unusually long and well-written chapter of backstory.

Williams is one of the great underappreciated American crime writers of the 20th century. A Touch of Death, first published in 1953, bears the hallmarks of many of his other works: a down-and-out guy around thirty years old who’s not as smart as he thinks he is, a very smart and practical woman who’s more interested in getting things done than in sticking anyone else’s ideas of morality, and a seemingly simple caper that turns out to be vastly more complicated than it first appears.

I can’t believe I’ve gone this long without discovering Cornell Woolrich. I had heard of him, but I had never read his work until now. The blurb on the cover of the book compares Woolrich to Raymond Chandler. I would actually say he’s quite a bit deeper and more nuanced. While Chandler focuses on the social world, Woolrich focuses much more tightly on the interior world of his main character.

This book contains some brilliant writing and colorful characters. It’s a freewheeling 1970s update on the classic noir detective novel.

The book begins just as private eye C.W. Sughrue is catching up to famed author Abraham Trahearne. Trahearne has been touring the seedy dive bars of the western states on an epic bender since his second wife disappeared. Sughrue was hired by the author’s first wife to bring him back home. The detective and fugitive are well matched for adventure. Both are war veterans and literate, intelligent, reckless alcoholics.

Charles Williams’ The Big Bite is very good crime/noir thriller, though it’s not quite up there with his brilliant 1953 noir The Hot Spot .

Harry Madox has drifted in and out of a number of jobs, and has one failed marriage and some unspecified debts under his belt. When the story opens, he’s just landing a job as a car salesman in 1950’s small-town Texas. He’s not in town long before he meets two women. The young, sweet Gloria Harper brings out the best in him, against his nature and sometimes against his will. And then there’s the boss’ wife, Dolores Harshaw, who has a knack for getting him into and out of trouble.

This is an excellent mystery/suspense novel, with plenty of twists. It’s exceptionally well plotted, and I enjoyed Levin’s clear, straightforward writing.

I read Dorothy Hughes’ “In a Lonely Place” just before reading this one. The books have some things in common. Both follow a disturbed young man, both men are about the same age, both are World War II veterans, both yearn for a life beyond their reach, both are murderers, and both target women.

This is a brilliant book by a brilliant writer. Unlike so much contemporary genre fiction in which killers are portrayed as inhuman two-dimensional monsters, Hughes portrays Dix Steele as a human being gone horribly wrong. Though the story is told in third person, we see the world from the killer’s perspective. We occupy his unsteady mind as he becomes increasingly unhinged, and we see how his actions arise from feelings that most people experience as difficult and uncomfortable but that he experiences as intolerable, torturing, and unresolvable.