In Laura Lippman’s Dream Girl, sixty-one-year-old author Gerry Andersen has an accident that leaves him bedridden and heavily sedated for three months. Andersen’s young assistant, Victoria, goes on double duty as both secretary and nurse. In the evening a new woman, Aileen, enters the writer’s Baltimore penthouse as night nurse.

Andersen, a successful author of literary fiction, is best known for his novel Dream Girl, which has brought him wealth, fame, and a number of awards. Since its publication, there has been immense speculation about who inspired the book’s main character, Aubrey. Gerry’s friends and readers believe he neither sees nor hears “ordinary” women. He’s only capable of perceiving women as objects of desire. So how could he have gotten this one woman, Aubrey, so right on the page? How could he have seen so deeply into her inner world?

Sunburn opens with a thrirty-something man, Adam Bosk, observing a thirty-something woman, Polly Costello, in a roadside restaurant in the small town of Belleville, Delaware. She’s come from the beach, forty or so minutes to the east, and her sunburnt shoulders are starting to peel. Her observer wonders if he should make a move, introduce himself, strike up a conversation.

She wonders too, as he takes a seat two stools down at the bar. She doesn’t know he’s followed her from the beach, where she walked out–without warning, and forever–on her husband and child. Her observer has been told to get close to her, and has been warned: not too close.